Writing Romance books | Lucy Mitchell Author Blog

Due to the success of my post about the things to consider when writing second chance romance I thought i would cover a new trope today – fake romance.

As a romance book blogger I LOVE reading this trope. I love how the fake relationship starts out of convenience; pretending to be together for a social commitment, pretending to be in love for a competition or needing to show the world that a secret love interest does exist, but soon the fake relationship starts to change into somethinge else. I get so excited when the chemistry between the characters gets to work and things get awkward. There’s so much potential for good comedy and hilarity.

Most of the time fake romance stories focus on reputation or pride.

Here are the things I think we need to consider when writing this wonderful trope.

Both characters need to be unlikely candidates for a relationship at the start. Fake relationships work best if the characters really dislike each other or are very different. I think the best fake romances blossom from a place of dislike, as healthy relationships sometimes do. Under normal circumstances they would never ever consider dating each other. Also remember both parties must benefit from the fake romance.

Both chartacters need to be aware of the arrangement and the detail. Things can get tricky if you have one character being unaware of the plan to fake a romance. Fake romances usually mean a few fibs and some acting so its essential they do some planning in advance. Make sure they set their PDA limits. For instance will they just hold hands, give quick pecks on the cheek and never sit too close together? They have to agree pet names for each other. You also need to include some great lines of fake romance dialogue like – ‘can you at least pretend I’m funny?‘ or ‘just so you know, I don’t like you.’

It must be easy and enjoyable at the start. Even though they dislike each other they don’t find it too much of a struggle to fake a romance. This is where they become ingrained in each other’s life. It’s an enjoyable stage for the reader because whilst they are busy faking a romance they are also noticing little cute things about the other like their style of wit, their dirty laugh and the way they touch their hair. However there still must be a question in the reader’s mind about whether it will turn into a romance. We all know there’s a risk with fake dating. So make sure they keep reminding each other that it is just an act.

Let them get carried away with faking a relationship. These two are putting on such a good romantic show everyone is convinced they are an item. It is essential during this stage they start to chuck common sense and their ‘fake romance rule book’ out of the window. You can include some great dialogue like ‘everyone’s gone, why are you still kissing me?’ or ‘shall we practice kissing lying down on a sofa? Yeah? Great, let’s get practicing.’

Things must get tough as they both start experiencing new feelings. This is my favourite part of this trope. It is great to read a fake romance where one person’s feelings start to turn real. Suddenly the simple act of touching hands becomes charged with electricity. Bring on the lingering touches, breathless moments, intense eye moments…over some balls of wool in the case of the couple below. So much good dialogue can be added here. Things like, ‘I’m starting to think you don’t hate me as you say you do,’ or ‘I never thought I’d see this new side to you.’

The big reveal. When they are at their most vulnerable one of the characters will have to take the biggest risk of revealing the truth. They will have been struggling with their strong feelings, missing the other before they leave, on cloud nine everytime they are next to them and replaying all their conversations in their head. After all this time hiding, they must find the courage to speak from the heart. This is a great time to add something like – ‘be real with me – how much of this was fake?‘ Will the other feel the same way?

Enjoy writing your fake romances, writers. They are such fun to read.

I am so excited about this post. As a huge fan of all things romantic and someone who gets very carried away at the sight of any romance, within a ten mile radius, this blog post is going to leave me lying on my sofa with a cold compress on my forehead. Today we are talking about how to write a good kiss.

Now, back in the day, when I was looking for love in Leeds (in the 90s) kissing was a big thing. Especially since most of my dating was done in Ritzy’s nightclub and once a male suitor had impressed me with his dance moves, surrounded by clouds of dry ice, we’d go in for the kiss.

The kiss was an important stage – because I didn’t want to spend the rest of my life with anyone whose kissing skills reminded me of:

My washing machine on a fast cycle
A plunger for my blocked sink.
Snogging a block of ice.
Snogging some sandpaper
Snogging a Jack in the Box – his tongue was the Jack which popped out when I wasn’t expecting it and made me jump.

Back in the day I thought I had struck gold when my suitor had velvet lips, no crab stick breath, a shy tongue (at first), a gentle swaying action and maybe one of his hands gently running through my hair. Kissing heaven 😂

When we write romance we have to bring the joy of kissing to life and this is tough. We have to get so much right as writers so that our reader lets out a sigh as they read about our characters engaging in a delicious kiss.

So, I have asked fabulous author of heart-warming and escapist romantic fiction, Kiley Dunbar, to come on my blog and give us some tips.

In their last moments on earth nobody every says, ‘you know what, I wish I’d done less kissing.’

In fact, I can guarantee if you think back to your hottest ex, or take a glance at your significant other, you’ll be inclined to agree it would have been nice if there’d been a lot more kissing and a lot less humdrum.

There’s just isn’t enough kissing in the world. Happily, the romance genre has always been around to redress the balance and to inspire us all to perfect our pout, take one step closer and lock lips.

As well as being oh-so-much fun, kisses are an expression of attraction, an opener for intimacy, and they bring reassurance and reconnection when things have gone wrong. Kisses also make for very special moments: first kisses, you-may-kiss-the-bride-kisses, break-up kisses and make-up kisses. There are some kisses you’ll just never forget, and this applies to kisses on the page too.

As romance readers we’re literary kiss connoisseurs. One of my all-time favourites is Pernille Hughes’s divine eight page clinch in Probably the Best Kiss in the World (One More Chapter, 2019) which has lips that linger long enough to rival Burt Lancaster and Deborah Kerr’s epic screen smooch amongst crashing waves in From Here to Eternity.
I love writing kisses too. Whether you are crafting a slow-burn love story that builds up to one perfect smacker on the final page or a sizzling snog-fuelled steam fest, here are my top five tips for writing kisses your readers will really feel.

1. Consent.

The reign of the grabby hero who stifles a heroine’s protests with a stolen kiss is over.
Long live the considerate, consenting kissers of modern romantic fiction. If it’s not mutual and enthusiastic, it’s not romantic.

2. Desire.

On-page kisses are motivated by wanting.

When your characters’ lips meet there must be the full force of their attraction behind it. Even if your characters are good at communicating with words, their kiss should also speak volumes about their feelings. A kiss is also a good way of showing any lingering internal conflict: can your characters give way to their desire or is the moment less than perfect due to niggling worries, doubts or obstacles that still require resolution?

3. The bubble.

A really good kiss should be powerful enough to shut out the rest of the world.

You can draw readers into the bubble with unique little details that make the moment intimate: eyes locking; Adam’s apple bobbing with swallowed nerves; the steadying grip on the lapel of a sharp suit; fingertips straying into hairlines and thumbs caressing cheekbones as your lovers move closer. Delicious! And never underestimate the magic of antici … pation. Make your kisses worth waiting for and everyone will be satisfied.

4. Kisses add character.

No two couples are alike so no two on-page kisses should be alike.

Does your cinnamon bun hero live up to his adorable, attentive characterisation and deliver sweet nose-tip rubs as a prelude to mouth to mouth contact? Does your sensual couple linger over eyelid, temple and earlobe kisses to make your reader swoon? Does your whip-smart heroine who knows what she wants guide her partner’s kiss so it’s just right for both of them? Make the kiss fit what readers know of your characters and the dynamic you’ve built up between them.

5. Embodied kisses.

Take the chemistry further than just lips caressing.

The heat of a good kiss should spread through the body. If you can convey hitched breaths, goosebumps rising, hearts beating harder, inner muscles tensing and softening, and the acceleration and deepening of arousal then your reader will be right there in the bubble with your characters.
Right – that’s got me fired up for writing a nice new kissing scene in my Work In Progress. My hero happens to be just-the-right-height-for-delivering-a-forehead-kiss (swoon) and my heroine deserves a truly unforgettable kiss (the kind you feel all the way down) after all the pain I’ve put them through. I hope you’re feeling inspired to get your characters closer too. Now more than ever the world needs the unique healing magic and loving connection of (good) kisses.

Wasn’t that great?

I am going to nip off and start writing a few kissing scenes. Thanks, Kiley, you did me proud with this fab post.

Kiley’s latest romance novel is out and is just a click away.